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60-Minute Documentary (2007)

 


Two San Francisco fashion designers—Colleen Quen and Jude Gabbard— seek new inspiration by visiting China for the first time.

They skip cosmopolitan Shanghai, and head straight to one of China’s most remote and poorest areas, Guizhou Province. While economically poor, this region is rich in diversity, culture—and, of course—fashion.

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Guizhou is home to many of the country’s 55 ethnic minority groups, each with a distinct traditional style of dress. While signs of modernization are clearly visible in Guizhou's ancient communities, entering them is still like stepping back in time. The clothes they wear today are the same as their ancestors wore centuries ago.

Colleen and Jude traipse through rice terraces and steep hillsides to visit the ancient villages of the Miao (Hmong) and Buyi people. They learn traditions that have been passed down for generations, and the villagers help them decode some reoccurring motifs on their clothing. Colleen and Jude take a hands-on approach to learning about wax-dye batiks, embroidery, silver jewelry, unusual hairstyles and adornments— and they explore the layers of meaning behind these unique designs and accessories.

Once back in the U.S., Colleen and Jude process their China trip and incorporate this experience into their designs. So, just what does this fashion fusion look like? Do their design approaches transform? Colleen and Jude debut their new China-inspired collections in March 2008 and reveal the answers.

Introducing the SF Fashion Designers Colleen & Jude  



 

 “As a Chinese-American, I have never been exposed to my own roots… I am a 4th generation…it’s been lost and untouched. This has always been a dream for me to explore the Chinese culture and to appreciate the Art and Design of the many provinces of China. To drink up the beauty and tradition. I have so much to learn and to be inspired by through their work. I definitely would like to incorporate their beauty and spirit into my expressions of design in my clothing and for my next collection.” 
                           ~Colleen Quen-Lee
 

  


“Having lived in Russia during the transition to capitalism, I am fascinated by the current transition that China is making. Urbanization, modernization and an enormous cultural history are conspiring to make this a very exciting time to be in China. "

                       ~Jude Gabbard y Munoz


Press Coverage:
SF Chronicle, March 2, 2008: "Quen, Gabbard inspired by ancient costumes."
7 x 7 Magazine (Blog), March 3, 2008: "It takes a village."
Contra Costa Times (Blog), March 6, 2008: "Ancient Chinese fashion with a modern twist."
The Finer Dandy (Blog), March 8, 2008: "Emile Hirsh hangin' out at a fashion exhibit?"
 
 
PHOTO GALLERY /

Fashion Exhibit
: For the conclusion of the documentary, Colleen and Jude debut their China-inspired collections on March 6, 2008, at Mark Wolfe Contemporary Art in San Francisco.
 

Colleen's green cocoon gown with handmade silver jewelry has a high collar inspired by the traditional Miao baby carrier.
 

Jude's outfit has enough "bling" to impress the Miao, famous for their generous use of silver adornments.
 

Huangguoshu Waterfall is the inspiration behind Colleen's flowing silk white gown.

 

Jude tells the camera how he infused his own style with elements of traditional Miao and Buyi design.
 

Colleen's four China-inspired designs.
 

Jude's four China-inspired designs.
 

Design aficionados begin to arrive at the Fashion Exhibit in San Francisco.

 

A 15-minute sneak peak of the TV documentary "Interpreting Ancient Fashion" gives a taste of what's to air on PBS in 2009.
 

Colleen explains her indigo-blue butterfly design to fans and fashion students.
 

Jude's modern twist on this batik gown
ignites conversation.
.

China Photos: Colleen and Jude spend November 2007 learning about fashion in remote villages and sharing their discoveries on camera.
 

As they enter Langde Village, Colleen and Jude drink wine at every step. It's all part of the traditional Miao Welcome Ceremony.
 

Colleen and Jude with three Miao women showing off their hand-embroidered clothing
and silver jewelry.
 

Men, women and children dressed in
traditional costumes take part in
the Welcome Dance.
 


Women use their spare time to embroider clothing with ancient designs -- they plan to pass it on to their daughters.
 

Yang Ni Tiao dresses Colleen in a skirt that took her five years to make.
 

Langde is surrounded by rice fields and farms -- the villagers grow all their own food.

A morning with the Chen family  -- where four generations live under one roof.

 

Lunch at the Chen's house.

The Miao Embroidery Museum showcases  ancient textiles that the Miao are famous for.
 

You will find many vibrant colors in Miao clothing.
 

This silversmith is the 7th generation of sons to carry on his family's jewelry-making techniques. Now, he's teaching his daughter... (and, of course, Jude and Colleen).
 

Indigo-dyed fabric hangs to dry.
It is shiny and deep blue-black in color.


 

The homes of this Buyi village are made entirely of locally-gathered stones -- thus the name, "Stone Village".
 

Jude and Colleen learn the art of wax-dye batiks.


 

Jude uses wax to draw ancient patterns
on fabric.
 

Colleen paints "dog teeth" -- triangle shapes.

 

After drawing with wax and dying with indigo, they wash the fabric in "White River".
 

Next -- the villagers boil off the wax.

 

And, voila!

Colleen dressed in a typical Buyi costume.
 

Buyi women embroidering in the city center.
 

Jude and Colleen learn about elaborate head pieces from these Buyi women.


A dance performance at another Buyi Village, called Huashishao.
 

Singing a classic New Year song to
"...scare the rats away, and send them to the landlord's house."
 

Jude plays a few notes on this obo.

 

Colleen learns to dance to a song about washing clothes in the river.
 

A trip to Huangguoshu Falls
-- the largest waterfall in Asia.

Colleen tries to stay dry as she walks behind
the "Water Curtain".

 

This local tradition is called "Ground Opera",  since it's performed outdoors.

A 200-year-old opera mask
-- still used daily.

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